Working for the aviation museum, our client needed WW2 real-time 3D assets.
Deployed on prints and media tables, those historically accurate 3D models are narrating the succession of events that led to US entering the war.
The 3d assets were handed over to the creative director, who then built a 4 min animation, mixing 3D shots and motion graphics.
AmazonWS & F1
A promotional film demonstrating the integration of real-time sensors that feed live data to racing teams and the general public.
We helped with the racing sequence for lighting, rendering and compositing, on this good old linear workflow pipeline, on Maya/Redshift
Osaka World Exposition Pavillon 2025
The Saudi Arabia pavilion showcased its fauna and flora in a unique and immersive way. From 360 projections, animations, 3D printed corals to engraved bas-reliefs.
We 3D modeled various organic sea life forms to help visitors learn about the uniqueness of Saudi’s underwater ecosystem.
The pavillon won the gold award in the large/type A category.
Middle east sci-fi souk
A collection of a 3D semi-futuristic souk assets to populate midgrounds on our client’s 3D animation.
With a tight turnaround, we took over art direction and, within a week, delivered enough content to fill all shots with 3D props, on time for them to hit the render farm.
Our client just had to merge, scatter and render.
And many more under white label
80% of our projects are white-labeled. We are not credited and are not asking to be